--George Crabbe, poet and naturalist (1754-1832)

(160:1.10)  In this habit of Jesus' going off so frequently by himself to commune with the Father in heaven is to be found the technique, not only of gathering strength and wisdom for the ordinary conflicts of living, but also of appropriating the energy for the solution of the higher problems of a moral and spiritual nature.

(167:6.5) It was also at Jericho, in connection with the discussion of the early religious training of children in habits of divine worship, that Jesus impressed upon his apostles the great value of beauty as an influence leading to the urge to worship, especially with children.

    George Crabbe was an English poet, surgeon and clergyman. He is best known for his early use of the realistic narrative form and his descriptions of middle and working-class life and people.
    In the 1770s, Crabbe began his career as a doctor's apprentice, later becoming a surgeon. In 1780, he travelled to London to make a living as a poet. After encountering serious financial difficulty and being unable to have his work published, he wrote to the statesman and author Edmund Burke for assistance. Burke was impressed enough by Crabbe's poems to promise to help him in any way he could. The two became close friends and Burke helped Crabbe greatly both in his literary career and in building a role within the church.
    Burke introduced Crabbe to the literary and artistic society of London, including Sir Joshua Reynolds and Samuel Johnson, who read The Village before its publication and made some minor changes. Burke secured Crabbe the important position of Chaplain to the Duke of Rutland. Crabbe served as a clergyman in various capacities for the rest of his life, with Burke's continued help in securing these positions. He developed friendships with many of the great literary men of his day, including Sir Walter Scott, whom he visited in Edinburgh, and William Wordsworth and some of his fellow Lake Poets, who frequently visited Crabbe as his guests.
    Lord Byron described him as "nature's sternest painter, yet the best." Crabbe's poetry was predominantly in the form of heroic couplets, and has been described as unsentimental in its depiction of provincial life and society. The modern critic Frank Whitehead wrote that "Crabbe, in his verse tales in particular, is an important—indeed, a major—poet whose work has been and still is seriously undervalued." Crabbe's works include The Village (1783), Poems (1807), The Borough (1810), and his poetry collections Tales (1812) and Tales of the Hall (1819).