Tom Allen

  --Bill Watterson, comic strip artist (b. 1958)

(139:4.8) There was another side to John that one would not expect to find in this quiet and introspective type. He was somewhat bigoted and inordinately intolerant. In this respect he and James were much alike—they both wanted to call down fire from heaven on the heads of the disrespectful Samaritans.

(139:3.5)  It was these "sons of thunder" who wanted to call fire down from heaven to destroy the Samaritans who presumed to show disrespect for their Master.

(162:0.2) After Philip and Matthew had returned to their fellows and reported how they had been driven out of the village, James and John stepped up to Jesus and said: "Master, we pray you to give us permission to bid fire come down from heaven to devour these insolent and impenitent Samaritans." But when Jesus heard these words of vengeance, he turned upon the sons of Zebedee and severely rebuked them: "You know not what manner of attitude you manifest. Vengeance savors not of the outlook of the kingdom of heaven. Rather than dispute, let us journey over to the little village by the Jordan ford."

    William Boyd Watterson II is an American cartoonist who authored the comic strip Calvin and Hobbes. The strip was syndicated from 1985 to 1995. Watterson concluded Calvin and Hobbes with a short statement to newspaper editors and his readers that he felt he had achieved all he could in the medium. Watterson is known for his negative views on comic syndication and licensing, his efforts to expand and elevate the newspaper comic as an art form, and his move back into private life after Calvin and Hobbes ended. Watterson was born in Washington, D.C., and grew up in Chagrin Falls, Ohio. The suburban Midwestern United States setting of Ohio was part of the inspiration for the setting of Calvin and Hobbes. Watterson lives in Cleveland Heights, Ohio as of January 2024.

  --William Morris, designer, poet, and novelist (1834-1896)

(74:4.1) That night, the night following the sixth day, while Adam and Eve slumbered, strange things were transpiring in the vicinity of the Father's temple in the central sector of Eden. There, under the rays of the mellow moon, hundreds of enthusiastic and excited men and women listened for hours to the impassioned pleas of their leaders. They meant well, but they simply could not understand the simplicity of the fraternal and democratic manner of their new rulers. And long before daybreak the new and temporary administrators of world affairs reached a virtually unanimous conclusion that Adam and his mate were altogether too modest and unassuming. They decided that Divinity had descended to earth in bodily form, that Adam and Eve were in reality gods or else so near such an estate as to be worthy of reverent worship.

(121:4.4) The Cynic.....They preached simplicity and virtue and urged men to meet death fearlessly. These wandering Cynic preachers did much to prepare the spiritually hungry populace for the later Christian missionaries. Their plan of popular preaching was much after the pattern, and in accordance with the style, of Paul's Epistles.

(149:2.14) On both friends and foes he exercised a strong and peculiarly fascinating influence. Multitudes would follow him for weeks, just to hear his gracious words and behold his simple life.

(139:9.6) James Alpheus especially loved Jesus because of the Master's simplicity.

(195:10.2) The beauty and sublimity, the humanity and divinity, the simplicity and uniqueness, of Jesus' life on earth present such a striking and appealing picture of man-saving and God-revealing that the theologians and philosophers of all time should be effectively restrained from daring to form creeds or create theological systems of spiritual bondage out of such a transcendental bestowal of God in the form of man.

    William Morris was a British textile designer, poet, artist, writer, and socialist activist associated with the British Arts and Crafts movement. He was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he helped win acceptance of socialism in fin de siècle Great Britain.

    Morris is recognized as one of the most significant cultural figures of Victorian Britain. He was best known in his lifetime as a poet, although he posthumously became better known for his designs. The William Morris Society founded in 1955 is devoted to his legacy, while multiple biographies and studies of his work have been published. Many of the buildings associated with his life are open to visitors, much of his work can be found in art galleries and museums, and his designs are still in production.

Once you hear the details of victory, it is hard to distinguish it from a defeat.
  --Jean-Paul Sartre, writer and philosopher (1905-1980)

(48:6.35) From them you will learn to let pressure develop stability and certainty; to be faithful and earnest and, withal, cheerful; to accept challenges without complaint and to face difficulties and uncertainties without fear. They will ask: If you fail, will you rise indomitably to try anew? If you succeed, will you maintain a well-balanced poise—a stabilized and spiritualized attitude—throughout every effort in the long struggle to break the fetters of material inertia, to attain the freedom of spirit existence?

(160:4.13-14) But life will become a burden of existence unless you learn how to fail gracefully. There is an art in defeat which noble souls always acquire; you must know how to lose cheerfully; you must be fearless of disappointment. Never hesitate to admit failure. Make no attempt to hide failure under deceptive smiles and beaming optimism. It sounds well always to claim success, but the end results are appalling. Such a technique leads directly to the creation of a world of unreality and to the inevitable crash of ultimate disillusionment.
    Success may generate courage and promote confidence, but wisdom comes only from the experiences of adjustment to the results of one's failures. Men who prefer optimistic illusions to reality can never become wise. Only those who face facts and adjust them to ideals can achieve wisdom. Wisdom embraces both the fact and the ideal and therefore saves its devotees from both of those barren extremes of philosophy—the man whose idealism excludes facts and the materialist who is devoid of spiritual outlook. Those timid souls who can only keep up the struggle of life by the aid of continuous false illusions of success are doomed to suffer failure and experience defeat as they ultimately awaken from the dream world of their own imaginations.

    Jean-Paul Charles Aymard Sartre was a French philosopher, playwright, novelist, screenwriter, political activist, biographer, and literary critic, considered a leading figure in 20th-century French philosophy and Marxism. Sartre was one of the key figures in the philosophy of existentialism (and phenomenology). His work has influenced sociology, critical theory, post-colonial theory, and literary studies. He was awarded the 1964 Nobel Prize in Literature despite attempting to refuse it, saying that he always declined official honors and that "a writer should not allow himself to be turned into an institution."
    Sartre held an open relationship with prominent feminist and fellow existentialist philosopher Simone de Beauvoir. Together, Sartre and de Beauvoir challenged the cultural and social assumptions and expectations of their upbringings, which they considered bourgeois, in both lifestyles and thought. The conflict between oppressive, spiritually destructive conformity (mauvaise foi, literally, 'bad faith') and an "authentic" way of "being" became the dominant theme of Sartre's early work, a theme embodied in his principal philosophical work Being and Nothingness (L'Être et le Néant, 1943). Sartre's introduction to his philosophy is his work Existentialism Is a Humanism (L'existentialisme est un humanisme, 1946), originally presented as a lecture.

  --Igor Stravinsky, composer (1882-1971)

(184:3.8) Although the high priest shouted at Jesus, "Do you not answer any of these charges?" Jesus opened not his mouth. He stood there in silence while all of these false witnesses gave their testimony. Hatred, fanaticism, and unscrupulous exaggeration so characterized the words of these perjurers that their testimony fell in its own entanglements. The very best refutation of their false accusations was the Master's calm and majestic silence.

(184:3.14) But Caiaphas could not longer endure the sight of the Master standing there in perfect composure and unbroken silence. He thought he knew at least one way in which the prisoner might be induced to speak. Accordingly, he rushed over to the side of Jesus and, shaking his accusing finger in the Master's face, said: "I adjure you, in the name of the living God, that you tell us whether you are the Deliverer, the Son of God." Jesus answered Caiaphas: "I am. Soon I go to the Father, and presently shall the Son of Man be clothed with power and once more reign over the hosts of heaven."

(184:3.19) Thirty prejudiced and tradition-blinded false judges, with their false witnesses, are presuming to sit in judgment on the righteous Creator of a universe. And these impassioned accusers are exasperated by the majestic silence and superb bearing of this God-man. His silence is terrible to endure; his speech is fearlessly defiant. He is unmoved by their threats and undaunted by their assaults. Man sits in judgment on God, but even then he loves them and would save them if he could.

    Igor Fyodorovich Stravinsky was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music.
    Born to a famous bass in Saint Petersburg, Russia, Stravinsky grew up taking piano and music theory lessons. While studying law at the University of Saint Petersburg, he met Nikolai Rimsky-Korsakov and studied under him until his death in 1908. Stravinsky met the impresario Sergei Diaghilev soon after, who commissioned the composer to write three ballets for the Ballets Russes's Paris seasons: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913), the last of which caused a near-riot at the premiere due to its avant-garde nature and later changed the way composers understood rhythmic structure.
    Stravinsky's compositional career is often divided into three periods: his Russian period (1913–1920), his neoclassical period (1920–1951), and his serial period (1954–1968). During his Russian period, Stravinsky was heavily influenced by Russian styles and folklore. Works such as Renard (1916) and Les noces (1923) drew upon Russian folk poetry, while compositions like L'Histoire du soldat (1918) integrated these folk elements with popular musical forms, including the tango, waltz, ragtime, and chorale. His neoclassical period exhibited themes and techniques from the classical period, like the use of the sonata form in his Octet (1923) and use of Greek mythological themes in works like Apollon musagète (1927), Oedipus rex (1927), and Persephone (1935). In his serial period, Stravinsky turned towards compositional techniques from the Second Viennese School like Arnold Schoenberg's twelve-tone technique. In Memoriam Dylan Thomas (1954) was the first of his compositions to be fully based on the technique, and Canticum Sacrum (1956) was his first to be based on a tone row. Stravinsky's last major work was the Requiem Canticles (1966), which was performed at his funeral.
    While many supporters were confused by Stravinsky's constant stylistic changes, later writers recognized his versatile language as important in the development of modernist music. Stravinsky's revolutionary ideas influenced composers as diverse as Aaron Copland, Philip Glass, Béla Bartók, and Pierre Boulez, who were all challenged to innovate music in areas beyond tonality, especially rhythm and form. In 1998, Time magazine listed Stravinsky as one of the 100 most influential people of the century. Stravinsky died of pulmonary edema on 6 April 1971 in New York City, having left six memoirs written with his friend and assistant Robert Craft, as well as an earlier autobiography and a series of lectures.

  --Harriet Beecher Stowe, abolitionist and novelist (1811-1896)

(138:9.1)  Through the dark hours of the Master's death, in the hearts of these apostles all reason, judgment, and logic were set aside in deference to just one extraordinary human emotion—the supreme sentiment of friendship-loyalty. These five months of work with Jesus led these apostles, each one of them, to regard him as the best friend he had in all the world. And it was this human sentiment, and not his superb teachings or marvelous doings, that held them together until after the resurrection and the renewal of the proclamation of the gospel of the kingdom.

    Harriet Elisabeth Beecher Stowe was an American author and abolitionist. She came from the religious Beecher family and wrote the popular novel Uncle Tom's Cabin (1852), which depicts the harsh conditions experienced by enslaved African Americans. The book reached an audience of millions as a novel and play, and became influential in the United States and in Great Britain, energizing anti-slavery forces in the American North, while provoking widespread anger in the South. Stowe wrote 30 books, including novels, three travel memoirs, and collections of articles and letters. She was influential both for her writings as well as for her public stances and debates on social issues of the day.

  --Saul Bellow, writer, Nobel laureate (1915-2005)

(160:4.12) Train your memory to hold in sacred trust the strength-giving and worth-while episodes of life, which you can recall at will for your pleasure and edification. Thus build up for yourself and in yourself reserve galleries of beauty, goodness, and artistic grandeur. But the noblest of all memories are the treasured recollections of the great moments of a superb friendship. And all of these memory treasures radiate their most precious and exalting influences under the releasing touch of spiritual worship.

    Saul Bellow was a Canadian–American writer. For his literary work, Bellow was awarded the Pulitzer Prize, the 1976 Nobel Prize in Literature, and the National Medal of Arts. He is the only writer to win the National Book Award for Fiction three times, and he received the National Book Foundation's lifetime Medal for Distinguished Contribution to American Letters in 1990.
    In the words of the Swedish Nobel Committee, his writing exhibited "the mixture of rich picaresque novel and subtle analysis of our culture, of entertaining adventure, drastic and tragic episodes in quick succession interspersed with philosophic conversation, all developed by a commentator with a witty tongue and penetrating insight into the outer and inner complications that drive us to act, or prevent us from acting, and that can be called the dilemma of our age." His best-known works include The Adventures of Augie March, Henderson the Rain King, Herzog, Mr. Sammler's Planet, Seize the Day, Humboldt's Gift, and Ravelstein.
    Bellow said that of all his characters, Eugene Henderson, of Henderson the Rain King, was the one most like himself. Bellow grew up as an immigrant from Quebec. As Christopher Hitchens describes it, Bellow's fiction and principal characters reflect his own yearning for transcendence, a battle "to overcome not just ghetto conditions but also ghetto psychoses."Bellow's protagonists wrestle with what Albert Corde, the dean in The Dean's December, called "the big-scale insanities of the 20th century."This transcendence of the "unutterably dismal" (a phrase from Dangling Man) is achieved, if it can be achieved at all, through a "ferocious assimilation of learning" and an emphasis on nobility.

Freedom is hammered out on the anvil of discussion, dissent, and debate.
  --Hubert Humphrey, (1911-1978)

(9:1.8)  The universe of your origin is being forged out between the anvil of justice and the hammer of suffering; but those who wield the hammer are the children of mercy, the spirit offspring of the Infinite Spirit.

(66:5.13)  The college of revealed religion. This body was slow in functioning. Urantia civilization was literally forged out between the anvil of necessity and the hammers of fear.

(70:12.6) If men would maintain their freedom, they must, after having chosen their charter of liberty, provide for its wise, intelligent, and fearless interpretation to the end that there may be prevented:
     1. Freedom of the person. Slavery, serfdom, and all forms of human bondage must disappear.
     2. Freedom of the mind. Unless a free people are educated—taught to think intelligently and plan wisely—freedom usually does more harm than good.
     4. Freedom of speech. Representative government is unthinkable without freedom of all forms of expression for human aspirations and opinions.

(71:8.4) 2. The freedom of social, political, and religious activities.

    Hubert Horatio Humphrey Jr. was an American politician and statesman who served as the 38th vice president of the United States from 1965 to 1969. He twice served in the United States Senate, representing Minnesota from 1949 to 1964 and 1971 to 1978. As a senator he was a major leader of modern liberalism in the United States. As President Lyndon B. Johnson's vice president, he supported the controversial Vietnam War. An intensely divided Democratic Party nominated him in the 1968 presidential election, which he lost to Republican nominee Richard Nixon.
    Born in Wallace, South Dakota, Humphrey attended the University of Minnesota. In 1943, he became a professor of political science at Macalester College and ran a failed campaign for mayor of Minneapolis. He helped found the Minnesota Democratic–Farmer–Labor Party (DFL) in 1944; the next year he was elected mayor of Minneapolis, serving until 1948 and co-founding the liberal anti-communist group Americans for Democratic Action in 1947. In 1948, he was elected to the U.S. Senate and successfully advocated for the inclusion of a proposal to end racial segregation in the 1948 Democratic National Convention's party platform.
    Humphrey served three terms in the Senate from 1949 to 1964, and was the Senate Majority Whip for the last four years of his tenure. During this time, he was the lead author of the Civil Rights Act of 1964, introduced the first initiative to create the Peace Corps, and chaired the Select Committee on Disarmament. He unsuccessfully sought his party's presidential nomination in 1952 and 1960. After Lyndon B. Johnson acceded to the presidency, he chose Humphrey as his running mate, and the Democratic ticket won a landslide victory in the 1964 election.
    In March 1968, Johnson made his surprise announcement that he would not seek reelection, and Humphrey launched his campaign for the presidency. Loyal to the Johnson administration's policies on the Vietnam War, he received opposition from many within his own party and avoided the primaries to focus on winning the delegates of non-primary states at the Democratic National Convention. His delegate strategy succeeded in clinching the nomination, and he chose Senator Edmund Muskie as his running mate. In the general election, he nearly matched Nixon's tally in the popular vote but lost the electoral vote by a wide margin. After the defeat, he returned to the Senate and served from 1971 until his death in 1978. He ran again in the 1972 Democratic primaries but lost to George McGovern and declined to be McGovern's running mate. From 1977 to 1978, he served as Deputy President pro tempore of the United States Senate.

  -Anthony Trollope, novelist (1815-1882)

(195:10.13) And the genuine lovers of truth will be slow to forget that this powerful institutionalized church has often dared to smother newborn faith and persecute truth bearers who chanced to appear in unorthodox raiment.

    Anthony Trollope was an English novelist and civil servant of the Victorian era. Among his best-known works is a series of novels collectively known as the Chronicles of Barsetshire, which revolves around the imaginary county of Barsetshire. He also wrote novels on political, social, and gender issues, and other topical matters.
    Trollope's literary reputation dipped during the last years of his life, but he regained somewhat of a following by the mid-20th century.

If you think education is expensive, try ignorance. 
  --Derek Bok, lawyer and educator (b.1930)

(71:3.1) The political or administrative form of a government is of little consequence provided it affords the essentials of civil progress—liberty, security, education, and social co-ordination. It is not what a state is but what it does that determines the course of social evolution. And after all, no state can transcend the moral values of its citizenry as exemplified in their chosen leaders. Ignorance and selfishness will insure the downfall of even the highest type of government.

Derek Curtis Bok is an American lawyer and educator, and former president of Harvard University.

  -Michel de Montaigne, essayist (1533-1592)

(48:6.25)  Here you are face to face with true friends and understanding counselors, angels who are really able to help you "to see yourself as others see you" and "to know yourself as angels know you."

    Michel Eyquem, Seigneur de Montaigne commonly known as Michel de Montaigne, was one of the most significant philosophers of the French Renaissance. He is known for popularizing the essay as a literary genre. His work is noted for its merging of casual anecdotes and autobiography with intellectual insight. Montaigne had a direct influence on numerous Western writers; his massive volume Essais contains some of the most influential essays ever written.
    During his lifetime, Montaigne was admired more as a statesman than as an author. The tendency in his essays to digress into anecdotes and personal ruminations was seen as detrimental to proper style rather than as an innovation, and his declaration that "I am myself the matter of my book" was viewed by his contemporaries as self-indulgent. In time, however, Montaigne came to be recognized as embodying, perhaps better than any other author of his time, the spirit of freely entertaining doubt that began to emerge at that time. He is most famously known for his skeptical remark, ''Que sçay-je?" ("What do I know?", in Middle French; now rendered as "Que sais-je?" in modern French).